The Print ShopHandwriting
Printable handwriting worksheets
7 sheets, from the first capital letter through to copying out a poem. Every one of them traces first, then copies, then leaves an empty line — so one page carries a child through the whole progression.
Free · two paper sizes · no download
On the shelf now
Each of these is a page that is itself the worksheet — open it, press print, and that is the whole of it. Every sheet comes on US Letter and on A4, because a ⅝-inch rule shrunk to fit whatever is in the tray is no longer a ⅝-inch rule.
Letters and numbers
The shapes everything else is built out of, a sheet each.
- Letter tracing — the whole alphabet — Every letter of the alphabet as a capital and a small letter, on ⅝-inch ruled paper: a solid model, two dotted letters to trace, and an empty space to write it alone.
- Capital letter tracing — The twenty-six capitals on ¾-inch handwriting paper, each traced and then written alone — the larger ruling for a hand that is still arriving.
- Small letter tracing — The twenty-six small letters on ⅝-inch paper with a dashed midline and room for descenders, traced twice and then written alone.
- Number formation, 0 to 9 — Every numeral from 0 to 9 on ¾-inch paper with a solid midline, one to a line: a model, four dotted numbers to trace, and one written alone.
Words
Letters in an order, with spaces the right size between them.
- Sight words to trace and write — Twelve first sight words on ⅝-inch paper, each one traced once and then written from nothing — spelling and handwriting in the same three minutes.
Sentences and copywork
A whole line at a time, once the letters are no longer the work.
- Sentences to trace and copy — Four short sentences on half-inch paper, each printed as a model, traced twice on the lines below, and then written on a line of its own.
- Copywork — a poem to copy out — A verse of “The Star” on ⅜-inch transitional paper: the line printed, two gray copies to write over, and an empty line to write it from nothing.
Trace, copy, then write it alone
Every sheet here runs the same three steps, and they are meant to be done in order. A solid model to look at. A dotted one to trace over. An empty space where nobody is helping. Tracing on its own practices following a line; the empty space is where a child practices writing, and it is the reason these pages are worth more than a sheet of dotted letters twice the length.
How far along that progression a page sits is a setting rather than a different worksheet. The model can be dotted, dashed, hollow, gray or left off altogether, and each thing can be written anywhere from once to eight times. Turn the progression off and every repeat is drawn the same way, which is the sheet for a child who is still tracing and not yet ready to be left on their own.
The ruling is the size it says it is
Five handwriting sizes, three notebook rules, and squares, dots and triangles — any of them, with any of the letterforms above.
A ⅝-inch rule is ⅝ of an inch under a ruler or it is teaching the wrong size of letter, and a child who has been taught to write between two lines notices before an adult does. So the lines are drawn as real strokes at real distances rather than as a background tint — which also means they survive a printer with “background graphics” unticked, the setting most people never find and the reason ruled paper from elsewhere so often comes out blank.
The letters are set to the ruling rather than to a type size: the tallest letter stands on the baseline and reaches the top line, worked out from the ruling and from the font’s own measured proportions. The dotted and hollow letterforms come from that same ordinary font rather than from a licensed tracing font, which is why there is nothing to buy and nothing to install here.
Blank paper in every one of those rulings is a page of its own, for when what is wanted is the paper rather than the practice.
And then the letters join
Cursive is the same progression again in a joined hand, and it starts where this one did — at the letter, because a cursive a is not a printed a with a tail. What it adds is the sheet printing never needed: the joins themselves, six families of them, practiced as pairs because the stroke between two letters is only correct with both letters there.
There are three cursive models on offer rather than one. The looped hand an American school teaches, the unlooped one that lifts the pencil after certain letters, and the fully joined hand a British school teaches disagree about which letters join at all, so which one a child is learning is a question worth being asked rather than guessed.
And there is a shelf for the child who can form every letter and still hands in a page nobody can read — the strokes the letters are made of, the size of a letter against its neighbors, the space between words, and staying neat when the writing has to keep up.
And a passage somebody wrote
The copywork sheet above is a poem, and the passage on it is a setting rather than the sheet. A few hundred are shipped — the Psalms, the Gospels and the Proverbs listed first, then the founding documents, the fables, the openings of a dozen novels and the poems — and any of them prints at any of these rulings, in any of the trace styles. Scripture has a shelf of its own because it is what people search for, not because it is a different kind of sheet.
Your own words on the same sheet
This week’s spellings off a note from school, a name to practice, a verse to copy out — the builder takes a typed or pasted list and prints it as any of the sheets above, on any ruling, at any size. The settings travel in the link, so a sheet you make can be sent to another family as it stands.
The Name: line is printed blank and filled in with a pencil. Nothing is uploaded to make a sheet and there is nowhere in a shared link to put a child’s name — see what we don’t collect.
The rest of the Print Shop
Ten shelves and ten school years, over the same sheets. A shelf is what a sheet is; a year is who it was drawn for, which every sheet states on its own page.